video
installations
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photo installations
a mirror-space establishing its demand to pay tribute to the power of the image.


writing.
half the story starts with a wor(l)d

paintings — acrylic on linen
a relationship to the world that abandons the obvious to underscore that the period is acid — that charm and violence mingle as never before.

tugging
at the
polished
images
we call real
a dialogue under the aegis of the woman .
to shed light on society’s ambivalence, where the dividing line between alienation and emancipation has become more uncertain.
corp.
commissioned films
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