flora’s vaginal egomania

photo installation [series of 36 photographs], 2014.

A dark sculptural object with two rounded forms joined at a lit seam rests against a weathered black-and-white organic wall.

my perspective on the feminine is expressed in a phallic register, through a defiance that asserts a certain authority: there is no desire to flee. 

Rhinestone-encrusted skull suspended inside a derelict industrial structure, its radial steel-and-glass panels reflected below, set within a dim factory interior lit by sparse overhead lights.

duchamp’s bride.

a kiss, a frog & duchamp’s bride

photo installation [series of 4 photographs], 2013.

A pale octopus curls on a light surface, a small jeweled skull resting near its mantle.

after high tide

photo installation [series of 9 photographs], 2019.

after high tide

photo installation [series of 9 photographs], 2019.

A small silver skull set with pavé crystals and black gem eyes rests on the edge of a white thin pedestal.

after high tide

photo installation [series of 9 photographs], 2019.

A pale octopus with splayed tentacles rests on a light surface, a small jeweled skull nestled among them.
A fish’s head, its mouth wide open, lies next to a piece of raw red flesh from its severed tail on a reflective white surface.

ritual 04.

A white ceramic mushroom sculpture stands before a black-and-white photo of a flower field, on a silvery surface.

quix.o.tic str.o.ll

photo installation [series of 8 photographs], 2020.

causal nexus

photo installation [series of 15 photographs], 2015.

Bare feet and ankles emerge from draping dark hair in a close-up

acknowledging my responsibility and my privileged position as a western woman, I feel it is essential, as disparities remain rife, to maintain a tension around the status of women.

A light pink dildo rests on white dome-shaped bumps atop a rooftop, a blurred cityscape behind.

Lula’s sailordreams

photo installation [series of 24 photographs], 2013.

A tipped glass jar spills wrapped black candies and a black dildo across a surface, in black and white.

vaginal stressless

photo installation [series of 20 photographs], 2013.

lula’s sailordreams

photo installation [series of 24 photographs], 2013.

A pale light pink dildo  rests atop a metal keg among several other kegs.

vaginal stressless

photo installation [series of 20 photographs], 2013.

An apple in a condom against a light, gradient background.
A fish head with its mouth open lies next to a clear glass bead and is pierced by two green glass toothpicks shaped like clovers, on a reflective surface.

straight flush

photo installation [series of 5 photographs], 2015.

ritual 07.

A close-up of a fish head with open mouth, its body blurred, on a white reflective surface.

our heavenly sperm whale

photo installation [series of 8 photographs], 2014.

our heavenly sperm whale

photo installation [series of 8 photographs], 2014.

A fish is seen from behind, its tail fin raised above its head a wing, on a reflective surface.

our heavenly sperm whale

photo installation [series of 8 photographs], 2014.

A close-up of a fish cut in half, with a sphere protruding from its body and a whitish liquid surrounding it, resting on a reflective surface.

I like to think that, beyond aesthetic concerns, art that strives to expose conditioning might be capable of mitigating the harmful effects of a socio-cultural standardisation that simplifies our relationship to the world. 

A woman with wind-blown dark hair and turquoise eyeshadow sits in a chrome-framed leather armchair, wearing a purple satin jacket and cream fur boots; tagline 'Soft boots. Hard signal.' below.

steamed pumpkin’s squids

series of photographs, ongoing since 2012.

Photos show city buildings and overhead pipes, a small toy Batman figure among them and a girl.
Industrial pipes and a red container-like structure frame a small toy Batman figure standing on a pipe.

pop love crush l — pop love crush ll

photo installation [series of 10 photographs], 2014 — photo installation [series of 6 photographs], 2014.