Isabelle Lutz

2025 | the federation of Swiss psychologists — national video campaign

railway station, bulle — Switzerland.

Film crew shooting outside an elevator, with a camera operator and reflector, under a poster for "Des seins à dessein," Espace Arlaud.
Film shoot in a station underpass: a monitor shows a close-up shot, lit by a softbox, beside an "Attention tournage" sign and cone.
Film shoot on an escalator in a glass hall: a young man on the phone descends, filmed from behind by a shoulder-mounted camera.
On set, a monitor shows an outdoor scene while a crew member with a walkie-talkie descends a concrete stairwell by an elevator sign.
Two crew members behind a monitor showing escalator footage, surrounded by sound gear and script pages in a concrete space.
Aerial view of a concrete staircase: a small crew gathers around a softbox and shoulder camera on a landing, casting long shadows.

2022 | university of Geneva —unige MELA PROMOTIONAL FILM

Chillon Castle, Veytaux [montreux] — Switzerland.

Two crew members adjust a round diffuser in a smoke-filled Gothic room, backlit by a large tracery window, silhouetted against hazy blue light.
Wide view of a chevron-walled hall with a beamed ceiling: a boom mic overhead, a crew member at a table on the left, another watching a large monitor showing the framed shot.
Behind the camera in the same hall: a costumed actress in a white wimple and red robe sits lit at a table, framed on a monitor showing her close-up, as crew adjust gear nearby.
A man in period costume—waistcoat, suspenders, and tie—walks past a cloth-draped prop table lit by a large octabox softbox, crew and a boom mic in the background.
Profile close-up of the costumed actress in a white wimple and red robe, holding up a small camera to check a shot, lit by a softbox against the chevron-patterned wall.

2022 | the swiss federal institute of technology lausanne — EPFl narrative film

EPFL Innovation Park, Lausanne — Switzerland.

In a red-lit studio, crew members kneel around a reclining subject, holding illuminated red light tubes close to the body, with an overhead camera rig and a small monitor showing the framed shot.
On a gym set with pink and lime walls, a boom operator holds the mic overhead while a camera assistant checks an iPad monitor, a colleague adjusting a crew member's back rig nearby.
Close-up on set in the same gym: a monitor displays the shot of people on cardio machines, a boom mic extending overhead as a bystander films behind-the-scenes on a phone.

2022 | insomnia studios — creative working session dedicated to the company’s visual identity

geneva — Switzerland.

In a photo studio with a white backdrop, a woman in a black top and grey trousers stands under a spotlight, her upper body caught in slight motion blur.
Vertical shot of a figure in motion under a spotlight against a white backdrop, arms and body blurred mid-movement, wearing a dark top and heels.
Long-exposure image of an empty wooden chair under a spotlight beside a ghostly, translucent blur of a leg in heels stepping through a dark studio.

2014 | pop love crush

London — United Kingdom.

In a brick-lined alley, a woman in a red beret and leather jacket reaches up to place a small batman figure among rooftop ventilation pipes, as a passerby in a hi-vis vest looks on below.
Low-angle view of galvanized ventilation pipes against a brick facade and grey sky, with a small batman figure tucked into the pipework.

2012 | steamed pumpkin’s squids

Berlin — Germany.

A Fiat 500 parked in a vast, disused industrial hall, lit by an octabox softbox beside a rack of hanging garments and a raised metal walkway.
Backstage in a concrete basement: crew members style a model's hair and wig at a table cluttered with cases, faux fur, and clothing racks.
Close-up backstage: a stylist adjusts a seated model's stockings as she smiles, wearing a blonde afro wig and beige dress.
Wider view of a backstage area, with garment racks, a wig, and crew silhouetted under a single overhead light.
A camera's playback screen shows the model in her beige dress and blonde wig, as blurred figures walk down the corridor behind it.
The model, in a beige dress and blonde afro wig, walks a taxidermied swan on a leash across the factory floor as crew look on with lighting gear.
A child's hand reaches to pet a small dog in the foreground, as the shoot continues in blurred silhouette further back in the hall.
Full-length portrait of the model in a beige dress and sheer stockings, blonde afro wig, walking a taxidermied swan on a leash through the industrial hall.

2012 | aldi’s chickens in love

berlin — germany.

In an art studio storeroom, a stylist adjusts a model's hair as she sits among chicken thighs strewn across the floor, red latex thigh-high boots visible, a softbox lighting the set from the right.

2012 | as clean as a pussy

Berlin — Germany.

Close-up of a model's forearm dotted with clear gel beads, an out-of-focus figure wearing a fencing mask pushed back on her head visible behind.
Portrait of a model in a structured silver metallic costume, a fencing mask pushed back on her head and a red orb at the forehead, dark makeup framing her gaze to the side.
In a home studio, the model walks in a silver metallic dress and white boots, a fencing mask pushed back on her head, past lighting stands, a small dog watching from the foreground.
An empty photo studio setup in an apartment room, with light stands, a white backdrop, a red cushion on a stool, and a tripod camera ready.
Close portrait of a woman in a black beanie and leather jacket, silver eye makeup applied, seated in a painting studio surrounded by art supplies.

2009 | studio view

geneva — Switzerland.

In a painter's studio surrounded by figurative canvases, a photographer crouches with his camera as the woman artist perches on a stool, propping one heeled foot against a large painting.