flora’s vaginal egomania
photo installation [series of 36 photographs], 2014.

my perspective on the feminine is expressed in a phallic register, through a defiance that asserts a certain authority: there is no desire to flee.

duchamp’s bride.
a kiss, a frog & duchamp’s bride
photo installation [series of 4 photographs], 2013.

after high tide
photo installation [series of 9 photographs], 2019.
after high tide
photo installation [series of 9 photographs], 2019.

after high tide
photo installation [series of 9 photographs], 2019.


ritual 04.

quix.o.tic str.o.ll
photo installation [series of 8 photographs], 2020.


causal nexus
photo installation [series of 15 photographs], 2015.

acknowledging my responsibility and my privileged position as a western woman, I feel it is essential, as disparities remain rife, to maintain a tension around the status of women.

Lula’s sailordreams
photo installation [series of 24 photographs], 2013.

vaginal stressless
photo installation [series of 20 photographs], 2013.
lula’s sailordreams
photo installation [series of 24 photographs], 2013.

vaginal stressless
photo installation [series of 20 photographs], 2013.


straight flush
photo installation [series of 5 photographs], 2015.

ritual 07.

our heavenly sperm whale
photo installation [series of 8 photographs], 2014.
our heavenly sperm whale
photo installation [series of 8 photographs], 2014.

our heavenly sperm whale
photo installation [series of 8 photographs], 2014.

I like to think that, beyond aesthetic concerns, art that strives to expose conditioning might be capable of mitigating the harmful effects of a socio-cultural standardisation that simplifies our relationship to the world.

steamed pumpkin’s squids
series of photographs, ongoing since 2012.


pop love crush l — pop love crush ll
photo installation [series of 10 photographs], 2014 — photo installation [series of 6 photographs], 2014.